From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory. They zigzag between prestige and pop, art-house and streaming spectacle. This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
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If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity.
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- He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry.
- Let’s start with the absurdly titled Clown in a Cornfield.
- This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
- Bet has performed well in terms of ratings since its inception.
- Kasey Moore is the founder and editor-in-chief of What’s on Netflix, the leading independent resource covering Netflix with over a decade of hands-on experience tracking Netflix’s new releases, removals, and breaking news.
- They zigzag between prestige and pop, art-house and streaming spectacle.
- Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke.
- We’ll be discussing the brief history of bet9ja’s owner(Kunle Soname), his current net worth, picture, state, and other details about this man below.
If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. The supporting cast do their jobs, too. These are all likeable and engaging characters who create an interesting ensemble thanks to their varied ayobet personalities, circumstances, and motivations. There’s something almost too fitting about Solanke joining an A24 film.
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As the character Tucker, Solanke dodges the usual disposable trope status by refusing to play it safe or self-aware. He’s not the comedic relief, the tragic martyr, or the guy with secret trauma. He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through. Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience. While the series does provide drama with high stakes and excitement in visuals, it also delves deep into the problems of cultural adaptation.
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Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins. Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. Ten episodes seems like a lot, arguably too many, but they’re all under 40 minutes and breeze by with so much going on, especially since the outcome of the games keeps upending the social dynamics and raising the stakes.
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- Interestingly, Ayo didn’t even know what he was auditioning for at first.
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- Subtlety wasn’t a footnote—it was the whole page.
- Even clarifies context on misquoted interviews.
- He’s ride or die for Yumiko” popcultureunplugged.com+2popcultureunplugged.com+2popcultureunplugged.podbean.com+2.
- What’s next isn’t just a continuation—it’s escalation.
Born in Nigeria and raised in East London, the 22-year-old British-Nigerian actor now carries the weight of two cultures with ease and uses them as strengths m.youtube.com+9youtube.com+9aestetica.net+9. At USTA Advocates, we are proud to combine experience, expertise, and resources to achieve exceptional results for our clients. With a proven track record as a trusted advisor, we have played a pivotal role in groundbreaking transactions and resolved complex legal questions, shaping Uganda’s legal landscape.
- Ayo Solanke could’ve easily coasted on the buzz from Bet.
- Plenty of actors turn to directing for control.
- And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt.
- And, hopefully, more scenes where Ryan doesn’t just react but reshapes the game.
- From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling.
- Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes.
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What’s Next for Ryan?
The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene.
- Enter The Island—a short film that isn’t looking for mainstream applause, but one that makes its own weather in the indie space.
- At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.
- His breakout role came as Ryan Adebayo in Netflix’s Bet, a high-stakes teen drama where Solanke not only survives but steals scenes.
- While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience.
- Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins.
- For those not in the know, Kakegurui (賭ケグルイ, Kakegurui –Compulsive Gambler–) is a Japanese manga series that began its run in Square Enix’s Gangan Joker magazine in March 2014.
- Plenty about Bet doesn’t work, but it’s so full of big swings and fun ideas that it’s an easy, characterful binge-watch all the same.
Ayo Solanke’s Directorial Debut: “The Island” Short Film
- Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun.
- It’s odd and can be a little jarring.
- It sounds like a joke, but it’s not.
- In an era when representation matters more than ever, he’s not just navigating identity, he’s defining it, scene by scene.
- Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in.
- Still, he’s hopeful for more BET — and judging by the show’s performance, there’s a good chance he’ll get that call.
The 10 part thriller stars Miku Martineau, Ayo Solanke, and Eve Edwards. Analytics Insight is an award-winning tech news publication that delivers in-depth insights into the major technology trends that impact the markets. The content produced on this website is for educational purposes only and does not constitute investment advice or recommendation. Always conduct your own research or check with certified experts before investing, and be prepared for potential losses. Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors.
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- Bet is Netflix’s latest live-action based on the manga Kakegurui.
- He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through.
- And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting.
- Comic book adaptations into live-action television are always tricky, but manga adaptations — especially ones done outside of South Asia — are even trickier.
- No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.
- Set in St. Dominic’s Boarding School for Girls, where gambling dictates the social hierarchy.
- On Ayo Solanke’s Twitter, things get even less polished—and better for it.
- She also meets Michael (Hunter Cardinal), who refuses to participate in the wagering madness and encourages Yumeko to do the same.
On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.
The new series has been developed by Simon Barry, who worked on seasons 1 and 2 of the fantasy adaptation series Warrior Nun, and will be directed by Jacquie Gould, Craig Wallace, and Joyce Wong for this season, set to consist of 10 episodes. As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today. However, the current CEO of Bet9ja betting company is Mr. Ayao Ojuroye and he’s different from the owner who is Kunle. Bet9ja like other betting companies in Nigeria is an online company that gives sports lovers in Nigeria the opportunity to place bets on various games and stand a chance to win cash if the bet is successful.
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Plenty of actors turn to directing for control. The film isn’t autobiographical, but it’s clearly personal—especially in how it toys with themes of isolation, duality, and the cyclical nature of choice. As a director and writer, he isn’t flexing genre tricks.
That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen. Bold & Beautiful shows beauty, intelligence, lifestyles, successes, achievements, and remarkable feats that characterize Nigerians and Africans. Ayo hasn’t parked his ambition at acting. He’s developing a short film, Island, and aiming to direct and write his own stories.
The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.
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You feel the tension—not the romantic kind, thankfully, but the kind where two people recognize each other’s damage and make a silent pact not to flinch. With BET and Island vaulting him into broader audiences, Ayo Solanke is poised for roles that demand emotional authenticity and cultural nuance. In an era when representation matters more than ever, he’s not just navigating identity, he’s defining it, scene by scene. For now, Ayo’s back to auditions, but he’s also working on his own short film Island, exploring his skills behind the camera. Still, he’s hopeful for more BET — and judging by the show’s performance, there’s a good chance he’ll get that call. While Musk may not want Edebiri to touch “Pirates,” the actress is booked and busy enough, next starring in films “After the Hunt” and “Ella McCay,” while “The Bear” was renewed for a fourth season.
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Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.
The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Having said all this the character drama is still very much present. These are fairly outlandish ideas to transplant into the more relatable real-world setting that the live-action treatment creates, which is probably the show’s biggest problem. It’s odd and can be a little jarring. It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy of the costumes will too.
We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. What else has Ryan Sutherland been in? Sutherland previously starred in Four Singles, a film about four men coping with loneliness, loss of love and social isolation. Ryan Sutherland is an actor known for playing Suki in Bet. What else has Aviva Mongillo been in? She is best known for her role as Alya Kendrick in the drama series Backstage and Juniper in Workin’ Moms.
Critics and fans alike praise this emotional arc—a rare blend of vulnerability and resolve. On Wednesday, March 12, the Emmy-winning actress posted an Instagram Story recalling a time when she was ‘cast’ in a fake “Pirates of the Caribbean” reboot on social media, which prompted a negative response from the Tesla CEO. “Disney sucks,” commented on X with a repost of the false story. From creator Simon Barry, the teen drama focuses on St. Dominic’s, an elite private school where underground gambling rules the social scene. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one.